[44] Of greater interest to Warner was the box office take, and the "receipts soon told the true story: Strangers on a Train was a success, and Hitchcock was pronounced at the top of his form as master of the dark, melodramatic suspense thriller. Great transfer, great black and white contrast. Bruno is standing behind an iron gate, the bars casting symbolic shadows on his In Hitchcock's cameo he carries a double bass. When he reaches his destination, Guy bids goodbye to Bruno, thinking nothing more of the affable but rather curious young man's homicidal theories. I've been hearing about this movie recently and decided to give it a go, and I'm so glad I did! Guy is offended by [17] Although Ormonde was without a formal screen credit, she did have two things in her favor: her recently published collection of short stories, Laughter From Downstairs, was attracting good notices from critics, and she was "a fair-haired beauty with long shimmering hair. Bruno orders with gusto and with an interest in what he is going to eat lamb chops, French fries, and chocolate ice cream. # travel # wine # glass of wine # modern love # train travel. [21] The scripting team added the tennis match and the crosscutting with Bruno's storm drain travails in Metcalf added the cigarette lighter, the Tunnel of Love, Miriam's eyeglasses; in fact, the amusement park is only a brief setting in the novel.[21]. "[8], Hitchcock took a toy carousel and photographed it blown up by a small charge of explosives. Actually, it's doubly fascinating. place from Highsmith, whose novels have been unfairly shelved with crime The unusual angle was a more complex proposition than it seems. It looks like WhatsApp is not installed on your phone. "[4], Warner Bros. wanted their own stars, already under contract, cast wherever possible. One is tennis star Guy Hianes (Farley Granger) who is in the process of divorcing his unfaithful wife and the other is Bruno Antony, (Robert Walker) the psychopath son of a wealthy man who hates. British version of the film -- cutting down the intensity of the It's not just a ripping-good thriller but a film student's delight and a perversely enjoyable battle of wits between tennis pro Guy (Farley Granger) and his mysterious, sycophantic admirer, Bruno (Robert Walker), who proposes a "criss-cross" scheme of traded murders. So Hitchcock had an oversized phone constructed and placed in the foreground. is a plot made of ingenuity and amorality, based on the first novel by Patricia Patricia Hitchcock and Kasey Rogers look a little alike and wear very Yet both men, like so many of Hitchcock's protagonists, are insecure and uncertain of their identity. Strangers On a Train 14+ HD CC Thriller 1 Hour 40 Minutes 1951 4.1 43 Ratings Strange thing about this trip. In a conventional movie, the tune would play in the background as a clever ironic backdrop. [22] The rest of the shooting would take place on Warner soundstages, including many seemingly exterior and on-location shots that were actually done inside in front of rear-projection screens. "[44], The film includes a number of puns and visual metaphors that demonstrate a running motif of crisscross, double-crossing, and crossing one's double. One gets the feeling of a closeted homosexual constantly coming onto Guy. Strangers on a Train is a 1951 American psychological thriller film noir produced and directed by Alfred Hitchcock, and based on the 1950 novel Strangers on a Train by Patricia Highsmith. The final scene of the so-called "American" version of this movie had Barbara and Anne Morton waiting for Guy to call on the telephone. Off-handedly, he suggests to Guy that they trade murders: Bruno will kill Guy's troublesome wife, and Guy will eliminate Bruno's despised father. A carnival worker crawls underneath it and applies the brakes too abruptly, causing the carousel to spin off its support, trapping the mortally injured Bruno underneath. thriller with odd little kinks now and then. (original music by) Cinematography by Robert Burks . [28] Anne reaches for the big phone, but actually answers a regular one: "I did that on one take", Hitchcock explained, "by moving in on Anne so that the big phone went out of the frame as she reached for it. He A 1951 Psychological Thriller film directed by Alfred Hitchcock, based on a novel of the same name by Patricia Highsmith (of Ripliad fame), starring Farley Granger and Robert Walker. This is a psychological thriller involves two young men who are strangers upon meeting each other on a train. Bruno's The abiding terror in Alfred Hitchcock's life was that he would Screenshots. "criss-cross" murder deal in "Strangers on a Train" indeed It is a twisting story of a male-on-male Robert Walker is uncanny. This piece of film he then enlarged and projected onto a vast screen, positioning actors around and in front of it so that the effect is one of a mob of bystanders into which plaster horses and passengers are hurled in deadly chaos. space underlined the tension in ways the audience is not always aware of. Summaries A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder. DVD Features: . This fear is at the heart of many of been haunting it all of these years. "On one side of the street, [are] stately respectable houses; towering in the background, on the right of the screen, the floodlit dome of the U.S. Capitol, the life to which Guy aspires, the world of light and order. In Alfred Hitchcock's suspense classic, "Strangers On a Train", a naive and weary tennis pro unwisely allows himself to be enticed into the confidence of a seemingly silly stranger. But a men's three-set tennis match can be eleven hours or thirty minutes, depending on tiebreakers and whether it even goes to three sets at all. "[8] Perhaps it was the circumstances of her forced casting, but Roman became the target of Hitchcock's scorn throughout the production. inspiration of a very large dog to distract the audience from what he would Suspense through and through, great light/dark contrast in the camerawork. [33], The explosion is triggered by the attempts of a carnival man to stop the ride after crawling under the whirling carousel deck to get to the controls in the center. Highly recommended. [12][15] Chandler took the job despite his opinion that it was "a silly little story. [44] It premiered in New York on July 3, marking the reopening of the extensively remodeled Strand Theatre as the Warner Theatre, and in a dozen cities around the country. Buy it! Is 'Strangers on a Train' based on a book? Synopsis. # travel # kit harington # modern love # big day # train travel. "[61], In contrast, modern reviews have been overwhelmingly positive. He must play as hard and as fast as he can in order to win the match, get off the court, and overtake the villain . Guy tries to persuade Bruno to seek psychiatric help, but Bruno threatens to punish Guy for breaking their deal. Is he just lonely? Morton (Ruth Roman), the daughter of a U.S. senator. [9], Kasey Rogers (credited as Laura Elliott) noted that she had perfect vision at the time the movie was made, but Hitchcock insisted she wear the character's thick eyeglasses, even in long shots when regular glass lenses would have been undetectable. Patricia, as the outspoken young Barbara Morton, kid sister of Guy's fiance remains one of Hitchcock's crowning achievements and a suspenseful classic that never loses its capacity to thrill and delight. used to finish his final film, "My Son John.") conversational web instead of flatly rejecting him. This ending, however, was not acceptable to Warner Bros.[28], In 1997, Warner released the film onto DVD as a double sided disc, with the "British" version on one side, and the "Hollywood" version on the reverse. face, and Guy stands to his right, outside the gate. A diabolique and dark noir all set between a train and some neighborhood, with a confrontation that often becomes morally ambiguous and a direction that shows all HItch's talent in building creating suspense and scary scenes with just the right photography or even the A diabolique and dark noir all set between a train and some neighborhood, with a confrontation that often becomes morally ambiguous and a direction that shows all HItch's talent in building creating suspense and scary scenes with just the right photography or even the perfect cut and juxtaposition of shots (see how he builds the party scene with the progressive introduction of the bad guy in the initially stiff and upperclass situation). Roman's role as a nice, understanding girl is a switch for her, and she makes it warmly effective. are swiveling back and forth to follow the game -- except for one head, [56] In the book, Bruno dies in a boating accident[56] far removed from a merry-go-round. His obsession with being wrongly accused no doubt refers to a traumatic episode Is he just lonely? [48], Roger Ebert wrote that "it is this sense of two flawed characters one evil, one weak, with an unstated sexual tension that makes the movie intriguing and halfway plausible, and explains how Bruno could come so close to carrying out his plan."[4]. at a carnival; Miriam and two boyfriends are in the boat ahead, and shadows on Hitchcock left behind two versions of Strangers on a Train. sexual tension -- that makes the movie intriguing and halfway plausible, and ( IMDB). flirtatious and seductive, sitting too close during their first meeting, and BARDO, False Chronicle of a Handful of Truths, 23rd Annual Black Reel Awards to Celebrate its 2023 Honorees on February 6th, 15 Films We Cant Wait to See at Sundance 2023, 14th Annual African American Film Critics Association Awards Recipients Revealed, Child of Graceland: Lisa Marie Presley (1968-2023). It's not just a ripping-good thriller but a film student's delight and a perversely enjoyable battle of wits between tennis pro Guy (Farley Granger) and his mysterious, sycophantic admirer, Bruno (Robert Walker), who proposes a "criss-cross" scheme of traded murders. be accused of a crime he did not commit. But that is precisely what they got: STRANGERS ON A TRAIN. While he had previous Hitchcock experience on Shadow of a Doubt (1943), and would go on to score two more consecutive Hitchcock films, the director and composer "simply never developed much of a kinship"[8] and "the Hitchcock films are not Tiomkin's best". Robert Walker performance benefits from a subtle tense urgency that perhaps either of the actors, Walker's Bruno has been called one of Hitchcock's best Later in life, while still praising Robert Walker's performance as Bruno, she criticized the casting of Ruth Roman as Anne, Hitchcock's decision to turn Guy from an architect into a tennis player, and the fact that Guy does not murder Bruno's father as he does in the novel. Bruno dreams up a crazy scheme whereby he and Guy exchange murders. (SD; 7:22) focuses on Kasey Rogers, who performed under the name Laura Elliot in the film; Strangers on a Train: An Appreciation by M. Night Shyamalan (SD; 12:46) has the director espousing his love for Hitch and the film; The Hitchcocks on Hitch (SD; 11:20) features Hitch's daughter and granddaughter talking about Hitch. 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