Made for the US Navy and filmed by the Pacific Fleet Command Combat Camera Group, it featured Ward Bond and Ken Curtis alongside real Navy personnel and their families. Try it for yourself. If your child has a lazy eye, you place the eye patch over the dominant eye, which forces the . Stagecoach is significant for several reasonsit exploded industry prejudices by becoming both a critical and commercial hit, grossing over US$1million in its first year (against a budget of just under $400,000), and its success (along with the 1939 Westerns Destry Rides Again with James Stewart and Marlene Dietrich, Cecil B. DeMille's Union Pacific with Joel McCrea, and Michael Curtiz's Dodge City with Erroll Flynn), revitalized the moribund genre, showing that Westerns could be "intelligent, artful, great entertainmentand profitable". Marshal Reuben J. It was made at the insistence of Republic Pictures, who demanded a profitable Western as the condition of backing Ford's next project, The Quiet Man. Filmed on location in Africa, it was photographed by British cinematographer Freddie Young and starred Ford's old friend Clark Gable, with Ava Gardner, Grace Kelly (who replaced an ailing Gene Tierney) and Donald Sinden. Is 2% milk higher in sugar than whole milk? According to Ford's own story, he was given the job by Universal boss Carl Laemmle who supposedly said, "Give Jack Ford the jobhe yells good". [5], Feeney attended Portland High School, Portland, Maine, where he played fullback and defensive tackle. It was one of Ford's personal favorites; stills from it decorated his home and O'Neill also reportedly loved the film and screened it periodically. "She sleeps with . It was originally planned as a four-hour epic to rival Gone with the Windthe screen rights alone cost Fox $300,000and was to have been filmed on location in Wales, but this was abandoned due to the heavy German bombing of Britain. He said he voted for Barry Goldwater in the 1964 United States presidential election and supported Richard Nixon in 1968 and became a supporter of the Vietnam War. During a three-way meeting with producer Leland Hayward to try and iron out the problems, Ford became enraged and punched Fonda on the jaw, knocking him across the room, an action that created a lasting rift between them. It was subsequently adapted into the long-running TV series Wagon Train (with Ward Bond reprising the title role until his sudden death in 1960). Well, probably. The patch keeps crap out of the eye socket. It was a fair commercial success, grossing $1.6m in its first year. One clever fan remembered that Indiana Jones has already been shown on screen as an old man. His work was also restricted by the new regime in Hollywood, and he found it hard to get many projects made. [92] In the opinion of Joseph McBride,[93] Ford's technique of cutting in the camera enabled him to retain creative control in a period where directors often had little say on the final editing of their films. Filmed on location on the Hawaiian island of Kauai (doubling for a fictional island in French Polynesia), it was a morality play disguised as an action-comedy, which subtly but sharply engaged with issues of racial bigotry, corporate connivance, greed and American beliefs of societal superiority. Still, it was one of Ford's most expensive films at US$3.2million. A television special featuring Ford, John Wayne, James Stewart, and Henry Fonda was broadcast over the CBS network on December 5, 1971, called The American West of John Ford, featuring clips from Ford's career interspersed with interviews conducted by Wayne, Stewart, and Fonda, who also took turns narrating the hourlong documentary. He told Roger Ebert in 1976: Up until the very last years of his life Pappy could have directed another picture, and a damned good one. DeMille was basically on the receiving end of a torrent of attacks from many speakers throughout the meeting and at one point looked like being solely thrown off the guild board. You would feel spiritually awakened all of a sudden. In season seven, however, he lost his eye in a fight with Caleb. [16] By the time Jack Ford was given his first break as a director, Francis' profile was declining and he ceased working as a director soon after. Nifty night vision Your eyes, while capable of doing amazing things, have a built-in delay when trying to switch from light to darkness. Switch off all the lights. Wendy (Red Velvet) During promotions for "Power Up", Red Velvet 's Wendy unfortunately suffered a small eye injury which led to her wearing an eyepatch between performances. his film How the West Was Won. "I'm John Ford, and I make Westerns" was the simple, direct way he introduced himself at one famous meeting of the Directors' Guild in the early fifties, where he stood up to the reactionary Cecil B. In making the film Ford and Carey ignored studio orders and turned in five reels instead of two, and it was only through the intervention of Carl Laemmle that the film escaped being cut for its first release, although it was subsequently edited down to two reels for re-release in the late 1920s. He was as good as his wordfor precisely seven days. Still, the question is a good one . Ford's next film was the romance-adventure Mogambo (MGM, 1953), a loose remake of the celebrated 1932 film Red Dust. Some assume pirates wore eye patches to cover a missing eye or an eye that was wounded in battle, but in fact, an eye patch was more likely to be used to condition the eye so the pirate could fight in the dark. [27] Murnau's influence can be seen in many of Ford's films of the late 1920s and early 1930s Four Sons (1928), was filmed on some of the lavish sets left over from Murnau's production. John Wayne, as Deputy U.S. [31] It was followed later that year by The World Moves On with Madeleine Carroll and Franchot Tone, and the highly successful Judge Priest, his second film with Will Rogers, which became one of the top-grossing films of the year. Although Ford professed unhappiness with the project, it was a commercial success, opening at #1 and ranking in the year's Top 20 box-office hits, grossing $3.6million in its first year, and earning Ford his highest-ever fee$375,000, plus 10% of the gross. Most of Ford's postwar films were edited by Jack Murray until the latter's 1961 death. In recent years he wore a black eye patch. "Just keep drinking the . ", Ford was awarded the Legion of Merit with Combat "V",[119][45][120][121] a Purple Heart,[45][120] the Meritorious Service Medal,[119] the Air Medal,[45] the Navy and Marine Corps Commendation Medal with Combat "V",[119] the Navy Combat Action Ribbon[119] the Presidential Medal of Freedom,[122][120][123] the China Service Medal[119] the American Defense Service Medal with service star,[119][120] the American Campaign Medal,[120] the European-African-Middle Eastern Campaign Medal with three campaign stars,[119][120] the AsiaticPacific Campaign Medal also with three campaign stars,[119][120][124] the World War II Victory Medal,[120] the Navy Occupation Service Medal,[119][124] the National Defense Service Medal with service star,[119][124] the Korean Service Medal with one campaign star,[119][124] the Naval Reserve Medal,[120] the Order of National Security Merit Samil Medal,[119] the United Nations Korea Medal,[119][124] the Distinguished Pistol Shot Ribbon (1952-1959),[119] and the Belgian Order of Leopold. Ford was renowned for his intense personality and his many idiosyncrasies and eccentricities. During the 1920s, Ford also served as president of the Motion Picture Directors Association, a forerunner to today's Directors Guild of America. According to records released in 2008, Ford was cited by his superiors for bravery, taking a position to film one mission that was "an obvious and clear target". We use cookies to ensure that we give you the best experience on our website. Ford repeatedly declared that he disliked the film and had never watched it, complaining that he had been forced to make it,[53] although it was strongly championed by filmmaker Lindsay Anderson. On the eighth day he ripped the sign down and returned to his normal bullying behaviour."[87]. He was primarily known for appearing in Westerns, including 1969's True Grit. It starred John Wayne and Maureen O'Hara, with Ward Bond as John Dodge (a character based on Ford himself). He was also nominated as Best Director for Stagecoach (1939). The Sun Shines Bright (1953), Ford's first entry in the Cannes Film Festival, was a western comedy-drama with Charles Winninger reviving the Judge Priest role made famous by Will Rogers in the 1930s. [103], As time went on, however, Ford became more publicly allied with the Republican Party, declaring himself a "Maine Republican" in 1947. I am not sure if this is the name of the thing, i am not a doctor, but i have the same thing in my eyes and my doctor told me to wear a glasses. Ford directed 10 different actors in Oscar-nominated performances: Victor McLaglen, Thomas Mitchell, Edna May Oliver, Jane Darwell, Henry Fonda, Donald Crisp, Sara Allgood, Ava Gardner, Grace Kelly and Jack Lemmon. [17] However, prints of several Ford 'silents' previously thought lost have been rediscovered in foreign film archives over recent yearsin 2009 a trove of 75 Hollywood silent films was rediscovered in the New Zealand Film Archive, among which was the only surviving print of Ford's 1927 silent comedy Upstream. Ford explained in a 1964 interview that the US Government was "afraid to show so many American casualties on the screen", adding that all of the D-Day film "still exists in color in storage in Anacostia near Washington, D.C."[48] Thirty years later, historian Stephen E. Ambrose reported that the Eisenhower Center had been unable to find the film. Ford made a wide range of films in this period, and he became well known for his Western and "frontier" pictures, but the genre rapidly lost its appeal for major studios in the late 1920s. Not a definitive answer but Mythbusters episode 71 highlighted the night vision (or ranther sub-deck vision) that can be achieved by having an eye patch, even coming straight out of day light. He is renowned for Westerns such as Stagecoach (1939), My Darling Clementine (1946), Rio Grande (1950), The Searchers (1956), and The Man Who Shot Liberty Valance (1962). Ford's first film of 1950 was the offbeat military comedy When Willie Comes Marching Home, starring Dan Dailey and Corinne Calvet, with William Demarest, from Preston Sturges 'stock company', and early (uncredited) screen appearances by Alan Hale Jr. and Vera Miles. Who do think you are to talk to me this way?" He was primarily known for appearing in Westerns, including 1969s True Grit. It was followed by What Price Glory? Noted critic Andrew Sarris described it as the movie that transformed Ford from "a storyteller of the screen into America's cinematic poet laureate". In 1933, he returned to Fox for Pilgrimage and Doctor Bull, the first of his three films with Will Rogers. Mankiewicz's account gives sole credit to Ford in sinking DeMille. Ford was one of the pioneer directors of sound films; he shot Fox's first song sung on screen, for his film Mother Machree (1928) of which only four of the original seven reels survive; this film is also notable as the first Ford film to feature the young John Wayne (as an uncredited extra) and he appeared as an extra in several of Ford's films over the next two years. I make Westerns. Ford usually gave his actors little explicit direction, although on occasion he would casually walk through a scene himself, and actors were expected to note every subtle action or mannerism; if they did not, Ford would make them repeat the scene until they got it right, and he would often berate and belittle those who failed to achieve his desired performance. Here are some tips to encourage your child to cooperate. There is some uncertainty about the identity of Ford's first film as directorfilm writer Ephraim Katz notes that Ford might have directed the four-part film Lucille the Waitress as early as 1914[20]but most sources cite his directorial dbut as the silent two-reeler The Tornado, released in March 1917. He is widely regarded as one of the most important and influential filmmakers of his generation. At dinner, Ford reportedly recruited cast member Alberto Morin to masquerade as an inept French waiter, who proceeded to spill soup over them, break plates and cause general mayhem, but the two executives apparently didn't realise they were the victims of one of Ford's practical jokes. Pirates would often move above and below decks, so by wearing an eye-patch they'd have one eye constantly dark-adapted. 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